##plugins.themes.academic_pro.article.sidebar##

##journal.download##
PDF
##journal.statistic##
##journal.read_counter## : 159 ##journal.download## : 204

##plugins.themes.academic_pro.article.main##

Abstract

This study examines Annick Cojean’s perspectives in her work Gaddafi’s Harem regarding the figure of Muammar Gaddafi in Libya. The research employs historical methods as its primary approach. The findings indicate that Cojean portrays Gaddafi through orientalist and feminist perspectives, while also highlighting the biases of Western media, which are perceived as hypocritical. As an orientalist, Cojean is considered to have certain aims and agendas behind her work, namely, constructing a negative image of the Islamic world. She is perceived as a 'puppet' of greater powers, with 'puppet masters' who hold broader agendas toward the Middle East in order to impose a World Order, thereby subjugating the Islamic world. The book Gaddafi’s Harem is divided into two main parts. The first part emphasizes the story of Soraya, the central character who, according to Cojean’s narrative, experienced sexual abuse by Gaddafi. The second part focuses on the role of Gaddafi’s supporters and close circle in maintaining his hegemony for 42 years.


Keywords: annick cojean, gaddafi harem, libya, thought

Keywords

Keywords: annick cojean, gaddafi harem, libya, thought

##plugins.themes.academic_pro.article.details##

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite
Hadiyanto, A. F., & Amanda, A. (2025). THE INFLUENCE OF ANNICK COJEAN’S THOUGHTS IN THE BOOK GADDAFI’S HAREM ON FORMER LIBYAN PRESIDENT MUAMMAR GADDAFI. Khazanah: Jurnal Sejarah Dan Kebudayaan Islam, 15(2), 125–133. https://doi.org/10.15548/khazanah.v15i2.2408

##journal.references##

  1. REFERENCE
  2. Abizar. 1999 “Karya Sastra sebagai Dokumen Sejarah” (Humanus, Vol 1 No 2)
  3. Agung. DH. 2011. Khadafi Anjing Gila Dari Sahara. Yogyakarta: Narasi
  4. Annick Cojean. 2014 Gaddafi Harem Grove Press
  5. BurhanNurgiyantoro. 1995. Teori Pengkajian Fiksi. Yogyakarta : UGM Press
  6. David.AR. 2011. Khadafi Jagoan Tanah Arab. Makassar: ArusTimur
  7. DwiSusanto. 2012.Pengantar Teori Sastra. Yogyakarta : Caps Publishing
  8. Illich.Ivan. 2007. Matinya Gender. Yogyakarta: PustakaPelajar
  9. Jean. PS. 2016. Seks dan Revolusi. Yogykarta: Narasi
  10. Jerry D. Gray. 2006. Dosa-Dosa Media Amerika. Jakarta: Ufuk Press
  11. Louis Gootschalk. 2008. Mengerti Sejarah. Jakarta : UI Press
  12. M. Atas Semi. 1984.AnatomiSatra. Padang, Sridharma
  13. Mestika Zed. 1984. Pengantar Studi Historiografi. Padang : P3T Unand
  14. Mestika Zed. 1999 “Esensi dan Eksistensi dan Kedudukan Sastra sebagai Sumber Sejarah”. (Humanus, Vol 1 No 2)
  15. Mohammand Riza Widyarsa. “Rezim Militer dan Otoriter di Mesir, Suriah dan Libya”. Jurnal Al-Azhar Indonesia Seri PranataSosial, Vol. 1, No. 4, September 2012
  16. Mukhtar Imam, Sadeeque Abba ,Mohamed M. Wader. “Libya In The Post Ghadaffi Era”. The International Journal of Social Sciences and Humanities Invention Volume 2 issue 02 2014 page no.1150-1166 ISSN: 2349-2031.
  17. Muscat, F. 1988. Muammar Khadafi Anakku, Presidenku. Jakarta: BeunebiCipta
  18. Nurani Soyomukti, dkk. 2011. Ben Ali, Mubarak, Gaddafi. Bandung: Penerbit Medium
  19. Qathafi, M. 2000. Menapak Jalan Revolusi. Yogyakarta: Insist Press
  20. SartonoKartodirjo. 1982.Pemikiran dan Historiografi Indonesia: Suatu Alternatif. Jakarta: Gramedia
  21. Shereen.EF. 2013. Seks& Hijab. Tangerang Selatan: PT PustakaAlfabet
  22. Surya Kusuma. Julia. 2012. Agama, Seks, dan Kekuasaan.Depok: Komunitas Bambu